And the answer for jAz is:
Roulotte (caravana). 1955. Remedios Varo
From my first Open Diary entry to this post I have been living the Web 2.0 explosion with increasing interest and participation. Some weeks ago I changed the look of this blog taking advantage of Blogger layouts and some Ajax applications from Google. I am not any expert so I was delighted to include the video, map, and search tools that you can see here. Even more, subscribing my blog to FeedBurner made me realise how much this blog could become more part of "the web" than what I originally intended. This therapeutic exercise of writing that started for the sake of doing it (and having some "practice" for the thesis that I had to write at the time) have become a point of contact with a virtual community. It is then time to recapitulate some of the steps that I have followed...
At the end of my teenage I was moved by this part of Oscar Wilde's Ballad of Reading Gaol:
Last 30th of March I went to Downtown Edmonton considering that the artist Elvira Santarmaria welcomes the participation of the public. It is called action-art and in her own words it means... "a larger term than performance. It's the art of creating experiencies, meaning through feeling. Not objects, although in the process objects can appear or create an experience. Action art is actions as art."
At the same time that I was observing her, submerged in my thoughts, one of her salt patterns was inviting me to let the impression of my hand on it. Of course I had a debate in my mind. Should I do it or not? I believed that her work invites the audience to participate, to act. However, I felt that putting my hand on her work, out of the blue, was somehow too childish. A child does these things without thinking, not an adult. The solution to my dilemma came when I realized that being an adult does not necessarily mean that I should not do some things but it means that the how I do things is different to that of a child. Obvious as it sounds, to put this in practice requires more than thinking. I can be watching Elvira, expecting a signal that allows me to participate, the "permission from the authority", while holding my wishes to act. I can hold myself only reflecting, like others seem to be doing.
My intervention in her space made me part of it, only in terms of how I wanted to be there. With the best of my intuition I inserted myself in the dynamics of the room starting to modified my hand print to better suit her pattern.